Download , by Yuval Noah Harari

Download , by Yuval Noah Harari

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, by Yuval Noah Harari

, by Yuval Noah Harari


, by Yuval Noah Harari


Download , by Yuval Noah Harari

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, by Yuval Noah Harari

Product details

File Size: 3329 KB

Print Length: 368 pages

Publisher: Vintage Digital (August 30, 2018)

Publication Date: August 30, 2018

Language: English

ASIN: B0767FS76G

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Amazon Best Sellers Rank:

#22,949 Paid in Kindle Store (See Top 100 Paid in Kindle Store)

Yuval Noah Harari’s name came up when a few years ago a friend urged me to read Harari’s best-selling Sapiens, which I have put off, but since reading 21 Lessons for the 21st Century, a book that reads more like an essay collection, than a outright book (not a bad thing in this case), I do want to feast on all of Harrari’s books. I had to underline close to a hundred cogent insights throughout the book.If anything unifies these essays--ranging from religion, morality, AI, terrorism, universal basic income, freedom, equality, meditation, nationalism, post-truth fascism, Trumpism, justice, secularism, and education—it is Harari’s desire to use his expertise as a historian, and by turn, a futurist, to equip us with the tools, attitudes, and moral approaches to moving forward in the 21st Century, shedding unwanted baggage such as fundamentalism, nationalism, racism, and other “isms.”In his Introduction, he brilliantly begins: “In a world deluged by irrelevant information, clarity is power. . . . As a historian, I cannot give people food or clothes—but I can try to offer some clarity, thereby helping to level the global playing field.”He warns us that the liberal secular vision of humankind moving forward with the powers of reason has taken a huge hit with the nihilism of Trumpism.Taken as a whole, Harari’s book is intended to give us the tools to ward off nihilism, arrogance, and primitive “isms” and to become a fully realized modern human being. Highly recommended.

21 Lessons for the 21st century is not comparable to Harari’s previous landmark works of history and prognostication Sapiens and Homo Deus. Written with the purpose of focusing not on the future nor the past but on contemporary civilization, Harari tends to make sweeping assumptions and badly reasoned arguments when he is not flat out contradictory. Even worse, most of the content is the sort of generalizations seen in futurist websites and Facebook groups. It’s not so much that it’s false as that it’s not new.I will try to summarize some examples of why I think this book is a poor relative to Harari’s previous works. Harari argues that elections might be infeasible in the future. Why? Because if elections were about reason then obviously we would appoint a committee of experts to choose our leaders. Since we don’t, elections must be all about emotions which, as seen in 2016, are increasingly going to be controlled by AI. Therefore, per Harari, elections will become passé. He does not consider that, like guessing the number of coins in a jar, elections might be held because, when you combine millions of voters responses, individual biases in reasoning will balance each other out and you will arrive at the best answer.Another example: AI will soon create works of art superior to humans. This is because Harari asserts that art is all about the emotions and so AI will be able to manipulate these emotions better than a human artist. However, when I, for one, read Aeschylus I don’t experience much emotion but do enjoy the incredible craftsmanship and artistry of a creative genius. Many patrons of the arts I think would agree.Lastly, the book concludes with Harari explaining that all meta-narratives—Christian, liberal, communist, Islamic, etc.— have been proven wrong by modern science. Even the stories of personal identity we tell ourselves—what we were like as children and how that made us into the adults we are today—are bogus because there’s no human soul that would make different times in our life into a unity.So, having dismissed all personal narratives, Harari then goes on to tell his own story about how Buddhist meditation led him from being a confused and stressed teenager into the confident author of Sapiens and Homo Deus. Doesn’t Harari see that he cannot recommend mindfulness meditation as the correct response to personal suffering by telling a story if several pages earlier he said that personal narratives are illusory?Harari is a talented writer and one can enjoy reading this book as an intelligent man’s musings about the contemporary world picture. But it simply cannot be considered in the same light as his previous monumental achievements.

How safe from obsolescence is the job you have now? Do you have the skills to adapt in the rapidly changing Big Data environment? How will the merger of infotech and biotech affect our collective future? How can we prevent climate change from irrevocably changing the planet? What will the next global armed conflict look like? Is the recent rise in nationalism a threat to world security? How does “post-truth” (i.e., fake news) affect our thinking? Do terrorist attacks create more fear and suffering than they should? How do the stories we tell ourselves, whether religious or secular in nature, influence our behavior?These are all questions that are clearly of concern to each of us in the here and now. They also motivate many of the “lessons” discussed in 21 Lessons for the 21st Century, a volume that once again combines Yuval Noah Harari’s unique blend of history, science, philosophy, and anthropology. Unlike Sapiens, which explored mankind’s past 10,000 years, and Homo Deus, which projects humanity’s long-term future, this book purports to assess the major issues facing us in the present. Unfortunately, this exploration is neither wholly successful nor is it nearly as compelling as the author’s previous two efforts.To be sure, there is a lot to like about what appears here. In particular, Harari’s discussion of the economic, legal, and social challenges created by the ascent of Big Data is very illuminating. Who owns the information summarizing our lives—or, perhaps more critically, who controls it—is indeed likely to be one of the major issues defining our near-term future. I also thought that the author’s interpretations of nationalism and secularism were insightful. Overall, he did a nice job of connecting several disparate themes into a cohesive bigger picture (e.g., a discussion of the importance of developing a global community is followed by an examination of nationalist sentiment which leads to a consideration of the immigration problem and then to the threat posed by terrorism).The main problem I had with all of this is that major portions of the book were not especially original and often seemed like slightly reworked versions of arguments used in the author’s previous studies. For instance, the rise of biotech was thoroughly covered in Homo Deus and humankind’s use of rituals and ability to create useful fictions were essential parts of Sapiens. As such, there are really far fewer than 21 distinct lessons presented here, despite the volume containing 21 different chapters. Finally, the last two chapters involving the role of personal stories and the importance of meditation were woefully self-indulgent and had an off-putting pop-psychology/self-help feel to them. So, while 21 Lessons for the 21st Century is not at all a bad book, the reader might be better served by considering the author’s earlier work instead.

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Ebook Download Company (TCG Edition), by Stephen Sondheim George Furth

Ebook Download Company (TCG Edition), by Stephen Sondheim George Furth

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Company (TCG Edition), by Stephen Sondheim George Furth

Company (TCG Edition), by Stephen Sondheim George Furth


Company (TCG Edition), by Stephen Sondheim George Furth


Ebook Download Company (TCG Edition), by Stephen Sondheim George Furth

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Company (TCG Edition), by Stephen Sondheim George Furth

Amazon.com Review

Here at last is Furth's libretto to the convention-shattering 1970 musical (revived on Broadway in 1995) that launched composer Sondheim's most fertile period--and his cult. Originally a series of one-act plays about marriage, the musical adds a linking character, Robert, who is the only one without a spouse. In visiting each of a half dozen couples who are his friends, Robert seeks to learn "what do you get" from being married. The answer is far from Hallmark, but visceral. The text includes Furth's witty, cutting dialogue and Sondheim's brilliant lyrics--especially to "Another Hundred People," "Have I Got a Girl for You" and "Being Alive." A portrait of urban angst that is nonetheless hilarious.

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From the Back Cover

A breakthrough Broadway musical in 1970, Company remains fresh, acerbic and original today. The musical's themes - marriage and commitment, friendship and loneliness - and its innovations in form mark it as a landmark of modern American musical theatre. Company's 25th anniversary was commemorated by two major revivals: in New York, at the Roundabout Theatre Company and in London at the Donmar Warehouse. This edition incorporates all revisions and additions made for these productions.

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Product details

Paperback: 128 pages

Publisher: Theatre Communications Group; 25th ed. edition (October 1, 1995)

Language: English

ISBN-10: 1559361085

ISBN-13: 978-1559361088

Product Dimensions:

5.3 x 0.3 x 8.4 inches

Shipping Weight: 12.6 ounces (View shipping rates and policies)

Average Customer Review:

4.6 out of 5 stars

14 customer reviews

Amazon Best Sellers Rank:

#651,372 in Books (See Top 100 in Books)

I love this musical so much for my birthday 08/23, I was able to get this including the original cast recording, and soon the authors vocal collection. I actually got the original 1970 version by accident. I originally was gonna get the 1995 version that included marry me a little, excluding tick tock, and other things that most people know from company now, I did always wanted to get myself the original version somehow. When I found out I ordered the original 1970 version I was actually more happy! When I got in the mail, I read through it all and found a lot of differences in them not only in just the songs like tick tock, marry me alittle, and the opening of company, but also big changes in scenes. Also surprise that I had a copy of the original since it does say in the "about the author" bio, it says "Mr. Sondheim is CURRENTLY completing Follies, a show for production in the 1970-1971 season with a libretto by James Goldman." Which surprised me a lot. It's condition was surprisly so good. It only had a pencil marking in the second page but I've erased it and it looks so good. And since my cast recording came in the mail already I smile so much when I put the side by side.... By side.... I will say, I might "sooner or later" (see what I did there?) Eventually I want to get all the cast recording of each revival including the 1994 Broadway revival (Boyd Gaines) [Album color: Pink/white], 1995 Sam Mendes London Production [Album cover: Black] (Adrian Lester), The 2006 John Doyle Broadway production [Album cover:Blue] (Raul Esparza) and if they ever have it somewhere in the world, would looooooooooove to get the 2001 Brazilian Cast recording. Trust me it's so beautiful. Also I'll be honest, I love the 2011 concert but I hated that NPH was Bobby he was not right to be fairly honest. I very much prefer either Dean Jones, Larry Kert or Raul Esparza. I also have The Orignal (West End) London Cast recording with Larry Kert and its magnificent so that why I'm stuck between with either him or the two I just said. 10/10 best book!

Basically I like one on the lines in the play I saw in Sydney Australia ,So I wanted read over the play again and loved it

Nice book. Bought it for a class.

A comedy about marriage, divorce, and relationships, this show has a different structure than most. Sondheim examines Bobby's friends relationships to reflect on Bobby's relationships.

Just what you need if you are in Company, the musical. I purchased it for my daughter who is one of the leads in the show.

good

I love it. totally happy with this purchase!

Product was exactly what I wanted and got here right on time for the show to start so that I could have my lines memorized

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Company (TCG Edition), by Stephen Sondheim George Furth PDF
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